Interviews of the cast members of Judd Apatow’s Funny People. Videos after Break. (more…)
Part three of a documentary series profiling Randy (Aziz Ansari), a rising standup comic featured in the new film Funny People. Spend more time with Randy at www.laughyourdickoff.com. Video After Break. (more…)
“Today I gave the creators of LOST (Carlton Cuse and Damon Lindeloff) the ultimate gift…ART”
Keep checking out damoncarltonandapolarbear.com
this is just the beginning cool stuff is going to keep happening. Video After Break.
(www.paulscheer.com) (more…)
Nick talks about Red Bull, his dad and hearing aids and of course, soup and salad. (more…)
9 new clips from Funny People. Third film written and directed by Judd Apatow. Hits theatres July 31. Videos After the Break. (more…)
Hasan Ahmed is best known as Supermarket Love, that practitioner of audio botany and warped soundscapes that seem to leap out of your speaker like passages from a timeless novel or folk story. Hasan’s distinct sound forces a discerning melodic language through a dense jungle of tape hiss and bend, to mesmerising effect. With a two-album career on nothing but his head , Cisumesion Lanoitazivorpmi & RainyDaysToFadeAway. Supermarket Love’s music is now an established feature in the collections of musicologists and chill-seekers alike. I chatted to Hasan about his music, recording techniques and philosophy. After the break for interview. (more…)
Featuring the rarely-seen-together triple threat of Feist, Metric’s Emily Haines, and Stars’ Amy Millan– along with Kevin Drew, Brendan Canning, Andrew Whiteman, Justin Peroff, and (let’s just say) more– this looks like one for the history books. Too awesome. (more…)
Although Borat was “so 2006″, some may prefer it to this restyled and redone Sacha Baron Cohen mockumentary style comedy.
Does it do it’s job? Absolutely. Certain segments are absolutely hilarious, and will leave you laughing long enough to miss other jokes.
And that’s about it.
While Borat offered plenty of innocence, heart, and improvised candid comedy, Brüno sets out to just try and make you laugh. Occaisionally it becomes evident that they try too hard to make the audience laugh, and in those places it loses its comedy. The planned script absolutely murders the laugh factor of this movie, and it only gets back on track during its moments of candid comedy, and improvised trickery at the expense of others. Some people that Brüno encounters are paid actors, and when we realize that it loses its fun. (more…)